Film, photography, live action, motion. We keep producers, editors and colourists on staff, and we know every reliable crew from Beirut to Jeddah. Nothing outsourced to strangers.
We cut on set. Post starts before wrap — which is why our films land on brief and on brand, every time.
Our producers, DPs, editors and colourists are on payroll. When a shoot moves cities, we do not scramble for a fixer — we call someone we have worked with. The result is 140+ shoots delivered on-budget and on-schedule.
Producers, DPs, editors and colourists are on payroll. Our shoots look cohesive because they are.
Beirut, Cairo, Riyadh, Amman, Dubai, Doha. When a shoot moves cities, we do not scramble for a fixer — we call someone we have worked with.
We cut on set. Post starts before wrap — which is why our films land on brief and on brand.
Brand films, product, docu-style, performance cutdowns.
2D, 3D, cel — all built to scale across platforms.
Announcements, activations, broadcast wraparound.
Avid and Resolve rooms in-house.
Foley, mix, original score partnerships.
One shoot, twenty cuts, six languages.
A 90-second nation-brand film and 14 cutdowns, delivered in 11 languages, 8 weeks before the whistle. 3.2B impressions across paid and earned.
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